"For seven decades 'The Pulp' constructed the social, economic and environmental circumstances of life on the North-West Coast. In 2011, on the last day of its operation, artist Tony Thorne went on site armed with sketchpad and camera. And writer Pete Hay came to Burnie armed with notepad and recorder, to talk to displaced mill workers. The result is this extraordinary collaboration of dramatic monologues in the vernacular voice of the mill floor and artworks of stark, confronting beauty that vividly capture the dying days of an industrial colossus."--